This is an illustration for Harvard Magazine for a story about new treatments for patients with diagnosed with Alzheimer's disease. The concept relates to a treatment referred to as "meaningful engagement."

One of the effective activities discussed involved patients tending to plants. I wanted to make a decorative portrait that showed this relationship between the patient and the plants, as well as the internal isolation of the patient’s mind.

The larger portrait represents the external activity, the patient tending to the plants, and the smaller internal portrait represents the patient separated from reality.

This is an illustration I created for a story about education and technology. The client wanted to show a teacher and a student walking into a tablet as if it was a doorway.

For some reason, I thought laptop rather than tablet, so I sent initial rough ideas showing a laptop as a doorway. Oops! So I sent in new sketches.

I wanted to go with the top right idea, the tablet as a doorway on a path in a park or school quad. The client agreed.

I used graphite and ink on a textured paper to create the frame of the tablet and some of the background elements.

I made a pattern of dots that I thought might be useful as additional texture, wasn’t quite sure at this point how I would use them.

I used ink to create line work for the figures and the app icons that would appear in the tablet.

I generally work larger than the final cropped size. This allows me to re-evaluate how I crop the final image and allows for ample bleed.

For the background, I used a few gouache elements I had painted for previous work.

This illustration was for a book review, a story about a young girl's search for her missing brother. The background pattern represents the jungle he disappeared into. The eye shapes represent the girl's view, her memory of her brother walking away from their home. The white figure represents her vision of her brother and the shadow represents the mystery of his disappearance.

I created this illustration for the University of Minnesota’s Alumni magazine‘s summer issue for a short story about the manager of a fast-food restaurant, Mr. Ted.

I started out drawing quick concepts about grease and the deep-fryer and grill, and since the story was also about two of Mr. Ted’s workers, I worked up some ideas about them. My first thoughts were about the environment, the grease and heat, along with character studies of the workers and Mr. Ted. The story was a mix of humor and melancholy; Mr. Ted was trapped in his career choice and his two young workers at first saw Mr. Ted’s life as humorous and made light of it but eventually gained respect for him.

The client wanted the image to focus on Mr. Ted rather than the two workers so I sketched some variations of him at the grill with drops and flames (top two rows of thumbnails). The drops pattern serves as a symbol of the environment and the mood; grease, rain, tears, sweat.

The final direction was to combine the background of drops with patty shapes at the bottom, no smoke or flames, so a combination of the third and fourth sketches in the top row. Another request was to change the “RB” (the name of the restaurant) to Mr. Ted.

This illustration was commissioned for a Tufts Magazine article about inflammation. The idea for the piece was a pattern of abstracted cell shapes surrounding a helpless floating figure that also contained some of these cell shapes.

My first idea was to show a hand with inflammation. The inflammation was concentrated in one part of the hand as if stemming from an injury. I also included a sketch using a figure.

The client felt the figure better fit the story and chose the sketch where the cell pattern was also within the figure. She also asked to have the figure upright rather than upside-down.

This is a portrait illustration of Marc Hannah and Jim Clark of Silicon Graphics for Softmart's 2013 calendar. 

A portrait illustration of An Wang for Softmart's 2012 calendar.

This is a series of portraits of Southern writers commissioned by The Oxford American Magazine. Top to bottom: Roy Blount Jr., Madeleine Blais, John Franklin, Michael Pollan, Gay Talese, Patsy Sims, and Walt Harrington.

This is an illustration about an Oscar Night Dinner. Couples bought tickets to watch the Oscars broadcast live in a theatre while they ate dinner.

This illustration was for a story about different types of investments.

A series of spot illustrations for qualities of cities; housing, jobs, crime, and manufacturing.

An illustration for The Wall Street Journal for a story about the arrival of a new CEO.

This is a personal piece I made while in grad school about a visit to the Ft. Worth Stockyards and Billy Bob's Texas Nightclub.

Two illustrations for an article about getting inside a CEO's head. One was used for the cover and the other for a full-page inside illustration.

A personal piece, illustration of a fountain made from a sculpted head.

An illustration for the 2013 New England TB Symposium, used for their program as well as on handbags and mugs.

This illustration accompanied an article about funding for large and small genome research projects.

This illustration was for D Magazine for an article discussing how doctors choose to die.

I was commissioned by Brown University to make this illustration to accompany a story in their Brown Medicine Magazine about their new Alpert Medical School Building.

An illustration for a story about planning for retirement investments.

This is an illustration I did for an essay by Jeff Chu, author of Does Jesus Love Me? A Gay Christian’s Pilgrimage in Search of God in America. The essay was about the author’s visit to his family after coming out as gay, his boyfriend texting him the words, “Be humble” as he was about to meet with his family, his Midtown Manhattan subway rides, and his research for his book. The illustration represents the author’s conversation with the people he met on his journey. But this wasn’t my first idea.

In the essay, the author described the 49th Street subway station he used as, “brick, glazed a garish orange-red that always has made me think of the flames of hell.” He went on to describe how he felt each evening waiting for his train, fretting about his family as well as his conversations with his friends who were atheist.

So my first idea was to show him as a lone figure set against a hellish train pulling into the station. Other ideas I had related to the text sent by his boyfriend. But the client wanted a more positive image and asked me to instead, create a sketch about the conversations he had during his yearlong journey across America.